![]() Contrast is lowered in the highlights and dark areas to help preserve detail across the entire exposure. OldSchool - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to bring back feelings and memories of when features were shot on Film. Nostalgia - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to bring back a feeling of film with big contrast that doesn't crush shadows, highlights that roll off gradually in a very pleasing way and skin tones that pop but make you remember the past in a romantic way. Netflix - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to show characteristics of modern streaming episodic series and made for streaming features without the banding issues that many face. Think of this as a dream sequence or back-flash in your feature. Mono - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to emphasize a color to bring attention and focus to your storytelling through visuals. Horror - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to show characteristics of modern Horror Feature Films with high contrast that retains details in gradients and dark areas of your pictures. Hipster - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to show characteristics of the modern Hipster styles with lower contrast and blacks that are black yet unsaturated and very low contrast. HBO - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to show characteristics of modern HBO episodic series. These technical LUTs were created paying close attention to keeping Blacks - BLACK, Whites Pollution Free, and Skin Tones True.ĢTone - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to manipulate the colors of your scene to help emphasize your story and make the production feel like you had a much bigger crew which included a set designer and wardrobe designer while keeping skin tones true.ĪRRI Alexa Lookalike - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to mimic the ARRI Alexa look and feel along with the benefits of lower contrast in gradients in highlights.īroadcast - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to be ready for broadcast, web or streaming delivery.įantasy - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to represent the modern feature fantasy or sci-fi film look which is great for indie filmmaking productions.įeature - this LUT allows for a single click adjustment that allow your SONY S-Log3 S-Gamut3 Cine clips to represent the modern feature film look which is great for indie filmmaking productions. When applied to S-Log3 S-Gamut3 Cine footage, it will convert the color space into Rec709 with a simple single click adjustment.Īll you have to do is apply the LUT and your footage should be ready to use as is, or you can use one of these base looks to get your image moving toward your creative vision. This LUT pack work in DaVinci Resolve, FinalCut Pro, and Premier Pro. This is a set of 17 Pro Grade Technical LUTs which should be applied to LOG Footage ONLY. ![]() ![]() For the A7IV, use the A7SIII LUTs.The SONY S-Log3 S-Gamut3 Cine to Rec709 Pro LUT pack is designed to help you save time and effort in post production. Again, this is only a starting point to start your grade and we recommend to do all the necessary adjustments before the LUT node such as tint, WB and contrast. Also, keep in mind that ND filters might cause some shifting in the tint. If you usually overexpose your footage, feel free to do so, but apply the LUT on a second node and adjust your exposure on a first node (in this way you will work on the log). If you shoot SLog3 that’s totally fine, but you might need to add a little bit of extra contrast. ![]() NOTE: Our Sony LUTs also work perfectly with the A7S III and the A7IV. cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.Ĭheck out this tutorial to see how to use the BUTTERY LUTs! Yep, just one LUT! Our LUTs are compatible with any software that support. Our LUTs work in every single lighting situation, at any ISO. ![]() In your editing or color grading software just apply the LUT to your footage and do the basic adjustments such as exposure, contrast, WB or tint as you like. The workflow is extremely simple: first of all, you need to shoot LOG and LOG only. ![]()
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